進入角色的旅途
在演出當中,台上的演員化成角色的載體,將一個空間變成 ELLIE、SO、KIM、TONY 的世界。
Read the original photo essay ↗
A work archive · 作品存檔
愛妳・艾莉
Performance · collective creation · cultural promotion
Hong Kong physical theatre · 香港形體劇場
On a Christmas night when time seems to stop, a murder surrounds two married couples. Love, resentment and desire overlap inside a house that may be a prison of memory—or a stage for something more dangerous. Ellie, My Love uses physical performance and a nonlinear structure to take the mystery story apart and rebuild it in space.
時間被靜止的聖誕夜,一場圍繞兩對夫妻的凶殺案。愛恨與恩怨交纏,大屋裏被困的是回憶的枷鎖,還是慾望的爪牙?作品以形體塑造非線性的推理空間,突破推理故事原有的框架。
I performed KIM, took part in the collective creation, and worked on the production’s publicity strategy. I also built elliemylove.info ↗ to give the production a life beyond its performance dates.
For me, cultural promotion is part of the creative process. A production needs a place where its ideas, images and conversations can continue to meet people. The original site brought the cast, rehearsal process, critical responses and tour information together. This page carries that archive into my wider body of work.
我相信文化推廣也是創作的一部分。一個演出除了在舞台上發生,也需要一個空間,讓作品的念頭、影像與對話繼續和觀眾相遇。因此我建立了 elliemylove.info,整理演員、排練過程、評論及巡演資料,讓作品在落幕後仍可被看見。



The storytellers · 說書人
三位演員由 2022 年首演開始合作,2025 年加入新成員,把《Ellie, My Love》推向另一層次。




Collective creation · 集體戲劇構作
In performance, the actors become vessels for ELLIE, SO, KIM and TONY. The rehearsal room is where a shared space gradually becomes their world.









模型屋、長桌、梳化、鏡子、床、童年畫作——家中的物件既承載日常,也收藏角色不敢直視的記憶。舞台的房間並不完整;它像回憶一樣,被拉扯、重組,再一次出現在眼前。
The archive speaks · 存檔中的聲音
在演出當中,台上的演員化成角色的載體,將一個空間變成 ELLIE、SO、KIM、TONY 的世界。
Read the original photo essay ↗以食物、家具與身體的感覺寫下演員對「家」的想像:盆菜的層次、咖喱魚蛋的痛感、菠蘿油的冷熱、廿四味的苦,成為理解角色記憶的方法。
Read the original essay ↗Reviews & conversations · 評論與對話
From Hong Kong to Taipei
The original staging was recognised at the 14th Hong Kong Theatre Libre Awards with Best Production and Best Director. The work returned in 2025 and travelled to Taipei in June 2026, carrying a Hong Kong physical theatre production into a new cultural conversation.
作品獲第十四屆香港小劇場獎最佳製作及最佳導演,於 2025 年載譽重演,並在 2026 年 6 月到台北演出。對我來說,巡演不只是把演出搬到另一個城市,而是讓香港劇場與另一群觀眾重新相遇。